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Contemporary Japanese Bamboo Art
May 30–August 30, 2015
An exciting international exhibition, Modern Twist: Contemporary Japanese Bamboo Art features the work of professional bamboo artists living in Japan, whose evocative, sensual, and sculptural pieces explore innovations in bamboo art since the mid-twentieth century. The artworks were chosen by Dr. Andreas Marks, Minneapolis Institute of Arts, from the collections of the Clark
Center for Japanese Art and Culture in Hanford, California. It
was organized to travel by International Arts and Artists, Washington, D.C.
Mimura Chickuhō, Hope (Detail), 2004. Bamboo
(madake), rattan, lacquer. Photo by Susan Einstein.
To more closely tie Modern Twist to our collections and mission, at the Grace Hudson Museum we have added 12 Pomo baskets to accompany the 38 Japanese art pieces on display. Taken from our own holdings, and those of other lenders, the Pomo baskets provide interesting similarities and contrasts to their Japanese counterparts. Both basketry traditions are world famous, and mastering them requires decades of meticulous practice in harvesting and preparing native plant materials, and in constructing finished pieces. Modern Twist features examples of both Japanese and Pomo pieces by master weavers that together span over one hundred years of textile arts.
(Left) Nagakura Ken'ichi, Circle, 1990. Bamboo (madake), lacquer, powdered polishing stone, and clay. Photo by Mochizuki Akira.
(Right) Uematsu Chicuyū, Ascending to Heaven, 2007. Bamboo (madake) and rattan. Photo by Susan Einstein.
Bamboo is a quintessential part of Japanese life, and its emergence as a sculptural art form has religious and cultural roots. The Japanese have used this extraordinarily strong and flexible grass for centuries–for everything from functional objects to ceremonial baskets, and for the vases, tea scoops, ladles and whisks that serve an important place in the Japanese traditions of flower arranging (ikebana) and tea gatherings (chanoyu and senchadō). It is a challenging medium, with less than 100 professional bamboo artists in Japan today.
Modern Twist brings 17 of these artists to North American audiences, including two men deemed “Living National Treasures” by the Japanese government in recognition of the excellence of their work. These National Treasures–Katsushiro Sōhō and Fujinuma Noboru–are joined by visionary artists Matsumoto Hafū, Honma Hideaki, Ueno Masao, Uematsu Chikuyū, Nagakura Ken’ichi, Tanabe Chikuunsai III, Tanabe Yōta, Tanabe Shōchiku III, Tanioka Shigeo, Tanioka Aiko, Honda Shōryū, Mimura Chikuhō, Nakatomi Hajime, Sugiura Noriyoshi, and Yonezawa Jirō.
(Left) Tanabe Chikuunsai III, Squares and Circles, 2005. Bamboo (yadake), rattan, lacquer. Photo © Forrest Cavale.
(Right) Jenny Jackson, Pomo Indian Feast Tray, circa 1885. Willow shoots, sedge roots, bracken fern roots.
(Left) Grace Hudson Museum Main Gallery, featuring Modern Twist: Contemporary Japanese Bamboo Art
(Right) Ueno Masao, Rotation of Ellipse Makes Two Transparent Drums, 2004. Bamboo (madake), rattan, lacquer,
and gold powder. Photo by Susan Einstein.
Don’t miss this rare opportunity at the Grace Hudson Museum to experience groundbreaking levels of conceptual, technical, and artistic ingenuity both in bamboo art, and in the striking examples of our own
local Pomo basketry.
The exhibition was generously supported by the E. Rhodes & Leona B. Carpenter Foundation, Nomura Foundation, Japan Foundation,
Los Angeles, and the Snider Family Fund.
The Grace Hudson Museum & Sun House
Come enjoy regional art and culture in the context of an extraordinary family.
The Grace Hudson Museum and Sun House in Ukiah, California, is an art, history and anthropology museum and historic home focusing on the lifeworks of artist Grace Carpenter Hudson (1865-1937) and her ethnologist husband, Dr. John W. Hudson (1857-1936). Changing interdisciplinary exhibitions and public programs highlight Western American art, California Indian cultures, histories of the diverse North Coast region of California, and the work of contemporary regional artists.